Sensible
“Inherent light and shade are called white and black; and in their transient state, they are denominated light and dark”- Chromatics, George Field, 1817
I like to explore this idea of inherent (as in pigments) and transient (as in the sunbeam or rainbow) values of a surface and how we perceive it. What makes us to see the object in a certain way? Is it the paint on a facade or the golden-hour sunbeam that creates this appealing milky color we see?
Both states of light and shade come together in this capture and create an interesting tension, balancing and complementing each other. Quote from & inspired by Full Scale False Scale, 2019.
Limited Edition. Frame is not included. Ships in a tube. Made to order: please allow approx. 1 week production time in addition to shipping time.
Archival Giclee Digital Fine Print | Hahnemühle Baryta Paper | Signed with the Certificate of Authenticity | 2023
“Inherent light and shade are called white and black; and in their transient state, they are denominated light and dark”- Chromatics, George Field, 1817
I like to explore this idea of inherent (as in pigments) and transient (as in the sunbeam or rainbow) values of a surface and how we perceive it. What makes us to see the object in a certain way? Is it the paint on a facade or the golden-hour sunbeam that creates this appealing milky color we see?
Both states of light and shade come together in this capture and create an interesting tension, balancing and complementing each other. Quote from & inspired by Full Scale False Scale, 2019.
Limited Edition. Frame is not included. Ships in a tube. Made to order: please allow approx. 1 week production time in addition to shipping time.
Archival Giclee Digital Fine Print | Hahnemühle Baryta Paper | Signed with the Certificate of Authenticity | 2023
“Inherent light and shade are called white and black; and in their transient state, they are denominated light and dark”- Chromatics, George Field, 1817
I like to explore this idea of inherent (as in pigments) and transient (as in the sunbeam or rainbow) values of a surface and how we perceive it. What makes us to see the object in a certain way? Is it the paint on a facade or the golden-hour sunbeam that creates this appealing milky color we see?
Both states of light and shade come together in this capture and create an interesting tension, balancing and complementing each other. Quote from & inspired by Full Scale False Scale, 2019.
Limited Edition. Frame is not included. Ships in a tube. Made to order: please allow approx. 1 week production time in addition to shipping time.
Archival Giclee Digital Fine Print | Hahnemühle Baryta Paper | Signed with the Certificate of Authenticity | 2023
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An archival digital print is printed onto paper using a high-quality inkjet printer and pigment-based ink. This process achieves a clear and durable finished print with excellent resolution. Giclée prints hold their colour and value for much longer than regular prints. In fact, they are known to last approximately 200 years before they start to fade. They are museum-quality prints that are built to last.
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Hahnemühle Fine Art Baryta is acid-free, bright white, cellulose-based Fine Art inkjet paper with an inkjet coating specially tailored for Fine Art use. It offers the highest life expectancy of several hundred years, depending on type of ink used and environmental factors.
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To ensure longevity of your fine art print, I recommend an archival type of framing, which includes usage of acid-free tape (so it won’t damage the print with time), archival boards (preferably cotton-based), leaving an air gap between the glass and artwork, and choosing a UV filtering glass. Blick Art stores offer such services, as well as numerous other framing stores.